For three consecutive Fridays beginning January 25, PBS is treating Shakespeare lovers to “Shakespeare Uncovered,” a new series that “tell the story behind the stories of Shakespeare’s greatest plays.” Each night will include two 1-hour episodes with different hosts (check local stations for airtimes). Here’s the line-up:
- January 25: Macbeth with Ethan Hawke (1st hour); As You Like It and Twelfth Night with Joely Richardson and her mother, Vanessa Redgrave (2nd hour)
- February 1: Richard II with Sir Derek Jacobi (1st hour); Henry IV and Henry V with Jeremy Irons (2nd hour)
- February 8: Hamlet with David Tennant (1st hour); The Tempest with Trevor Nunn (2nd hour)
It’s interesting to me how PBS enlisted “Oxfordians” – those who think “William Shakespeare” was the pseudonym used by Edward de Vere, the 17th Earl of Oxford – to narrate several episodes.
Richardson, Redgrave, and Jacobi all appeared in Anonymous, Roland Emmerich’s controversial 2011 film that presented Oxford (played by Rhys Ifans) as Shakespeare. Irons, too, is an Oxfordian.
Indeed, if one counts the number of narrators and plays they discuss, Oxfordians have a slight edge: 5 plays and 4 hosts, versus 3 plays and 3 hosts for non-Oxfordians – those who maintain William of Stratford-upon-Avon was the Bard, or who remain neutral on the question of authorship.
PBS has not been lily-livered when it comes to the controversy over whether Shakespeare was a pseudonym. “The Shakespeare Mystery,” a PBS program broadcast in 1989, is described on PBS’s website as making “a strong case that the most celebrated writer in the English language was not the man from Stratford. Rather, ‘Shakespeare’ was a clever nom de plume used by Edward de Vere, a learned Elizabethan court insider, to publish his incomparable, but often politically scandalous, writings.”
Given that probably over ninety percent of the theatrical world still believes that William of Stratford was Shakespeare, I’m sure PBS could have found plenty of “Stratfordians” to host all the episodes of “Shakespeare Uncovered.” It striketh me that somebody made the conscious decision to include hosts holding the minority opinion about Shakespeare’s true identity. Or it could be just a coincidence.
In any event, how much difference can an Oxfordian perspective make when telling “the story behind” a Shakespeare play?
Without previewing the first “Shakespeare Uncovered” episode, one can only guess what Ethan Hawkes, who I assume is in the non-Oxfordian camp, will say about Macbeth.
Hawke invites viewers to join him “in his quest to play Shakespeare’s murderous Thane of Cawdor by uncovering the true story that served as inspiration, immersing himself in some of the most memorable and innovative productions and discovering Shakespeare’s extraordinary insights into the criminal mind.”
The orthodox (Stratfordian) view generally holds that Shakespeare wrote Macbeth around 1607, several years after Oxford’s death when Will of Stratford-upon-Avon was still in his forties. According to this view, the play was intended to flatter James I, who had reached the top of the career ladder by going from King of Scotland to King of England. James narrowly escaped death in the infamous Gunpowder Plot, in which Catholic radicals tried to blow up Parliament. Stratfordians see in Macbeth topical references to the Gunpowder Plot. In his book, “Will of the World,” Stephen Greenblatt writes that, “Some playwright affiliated with the King’s Men [the acting company] — perhaps Shakespeare himself — grasped that this story would make an exciting play.”
Oxfordians hold a very different view about Macbeth. Besides believing Shakespeare wrote the play much earlier than 1607, they think a grim drama involving witches and multiple murders would hardly be one to flatter James who, if he saw the play (there’s no documentary evidence he did) might have felt that it cast doubt on his own succession. You can read more about the Oxfordian view of Macbeth here: http://www.shakespeare-oxford.com/?p=533.
On “Shakespeare Uncovered,” I expect Ethan Hawke will stick to the Stratfordian view and likely mention connections to King James and the Gunpowder Plot, in addition to delving into the Bard’s sources for the play and history about Scottish royal succession.
With Joely Richardson and Vanessa Redgrave discussing As You Like It and Twelfth Night, one shouldn’t expect any references linking those plays to Stratford Will, such as those Greenblatt describes. Greenblatt emphasizes Stratford Will’s ”folk” environment, connecting his father’s vocation as a wool dealer and glove-maker to lines in As You Like It such as, ”we are still handling our ewes; and their fells, you know, are greasy.” Greenblatt’s take on Twelfth Night includes linking Count Orsino’s advice that “the woman take an elder than herself” to Stratford Will’s marital unhappiness after being dragged to the altar by an older woman.
As Oxfordians, Richardson and Redgrave, in my opinion, will dispense with such linkage. Instead, they’ll likely focus on the personalities of Rosalind in As You Like It, a character Harold Bloom calls “first in poise of all Shakespearean characters,” and on Viola, the female heroine in Twelfth Night, arguably the best of Shakespeare’s comedies.
In sum, one can expect the Oxfordians featured on “Shakespeare Uncovered” to leave out any discussion of topical references and links between the author’s life and his work, and instead take the approach that ”the play’s the thing.”